Tuesday, July 31, 2012

Clues to Criminal Conspiracy in Towns and Corporations

You, too, can be a detective. All you have to do is learn the clues, listen and watch.

"Crap rolls downhill," says the tough-talking detective, and that's a basic human truth. The expression is older than the Golden Rule, an observation common to every culture and language group. It is also a basis for analysis of human behavior, and it can help any investigator, even an amateur detective, identify when corrupt practices are taking place in town, county or state government, or in a large corporation or NGO. The principle is simple: You watch the behavior of people at the bottom. If you find blatant corruption at the bottom, it rolled downhill. If you find fear, you're looking at someone who's intimidated by the corruption up above, and doesn't want to say anything.

Iron Man

Now direct your gaze up the hill and study the people you see.

Clues to Criminal Conspiracy in Towns and Corporations

Do not the middle-class women of the world want to wear the same gown worn by the First Lady, or by actresses on the Red Carpet? They can't afford that same gown, perhaps only one was made for the very rich female wearing it, but thousands of milliners and designers watch the Oscar and Emmy awards for interesting new ideas, they take pictures and they make copies. They know they can always sell those copies, because middle-class women always buy the copies to look like the wealthy women they admire.

With men, it's sports equipment and casual clothing. How many men wore copies of shirts worn by Tiger Woods, and carried putters and irons with his name engraved on them? In the fifties, the Eisenhower putter was a big seller. And speaking of sports heroes, are you wearing Hanes right now?

People with lesser incomes imitate the wealthy and powerful. They make a conscious effort to look like the rich and act like the rich. This takes place whether the economy is good or bad.

The behavior of leaders in a good economy tends to be cheerful. In good times there is no pressure on leadership to "fix it," leadership can be happy, good-natured, casual. This behavior insensibly is adopted by business leaders, then middle management and the middle class and it is slowly communicated downward to the poor as "good government." The leaders are happy, they're not worried, therefore we don't need to worry.

This happy, relaxed behavior becomes something to strive for, something leaders practice and try to project in public. They don't want to appear angry or tense, because that would "send the wrong signal." But leaders do reveal themselves in subliminal ways to the people around them, and those people react by trusting or distrusting the leader.

When an economy is under stress, politicians become desperate and devious, it's difficult to be graceful when many voices are blaming you for something caused by a whole nation taking the wide and easy road of buying during boom times. Increased tension from the top of the pyramid breeds distrust and fear in the ranks, so the nervous and defensive behaviors of wealthy and influential people are unconsciously and insensibly adopted by those who look up to them. This is because people further down the wealth ladder tend to believe they should look like, dress like, act like, those at the top.

If those at the top are angry, anger becomes fashionable. If those at the top communicate hate, hate will be adopted as a majority behavior. When those at the top are greedy, people at the bottom notice how little they have.

No-one deliberately copies anyone, and no copied behavior is a perfect similitude of another's behavior. But when politicians and judges are taking bribes, even when they are merely suspected of taking bribes, we soon find policemen, department heads, housing inspectors and corporate officers who can be paid to change their minds, lose a document, or disguise a deliberate contamination of a river as an accidental spill. Magistrates who sell out may sustain only the objections of the defense, or deny a prosecutor the right to introduce certain evidence in court. How many times have we seen evidence hidden from the jury because it might tend to convince them the defendant is guilty, or for that matter, innocent?

So when the people at the top have sold us out, the people who take orders from them, people who know them, begin to sell us out also. They see their superiors, their bosses and betters, becoming rich while violating laws and ethical standards, and they think: "Hey. That's just wrong!" Then they think. "Wait a minute, if they can do it, I can do it!" And many members of the organization begin looking around for ways to improve their incomes, legal or otherwise.

Individuals who are "getting away with something" go through a series of behavior changes, and that's how others begin to perceive that they have become corrupt. Actual evidence is unnecessary, gathering evidence is a secondary act. The first stage in identifying corruption is pure, raw suspicion, the sudden realization that a leader is hinky. Sometimes we don't know what "makes us think so," but hinky is as hinky does. We can perceive the basis of our suspicions by analyzing behavior.

An ideal leader, a "good" leader, is someone who works as a member of teams, who cooperates and exchanges information, he sets positive objectives, he supports others in the achievement of their goals and he champions talented newcomers, all toward the improvement of the organization and the accomplishment of positive, life-affirming acts. Everything he does contributes to the overall success of the organization and to the respect with which the organization is held.

Everyone who becomes a leader wants to be seen as the ideal leader and so most leaders behave roughly within this description until they become corrupt. Once they are "getting away with something," they keep secrets, they becomes tense, irritable, and begin mandating, threatening, ordering others to accomplish tasks. Most noticeably, they begin rejecting the advice offered by highly moral friends and contacts, although they never disagree with the morality behind the recommended act.

They also become less efficient, spending a lot of money on projects, personnel and contract, which don't seem to do anything to achieve organization goals, or achieve those goals only at an unusually high price.

The corrupt leader also becomes conservative, he doesn't want to do anything that would attract too much attention. Indeed he accepts advice from fewer and fewer people, he shares only information which has already become public. In explanation of his sudden urge for secrecy, he may say: "If you give them information they'll only use it against you."

Ordering and mandating behaviors, my-way-or-the-highway attitudes, implied or direct verbal threats of termination or loss of status, and the outright firings of those who have tried to do their jobs correctly, all are indicators of a defensive state of mind, a mind which feels it is surrounded by enemies. On the one hand, the leader appears confident; at least his cavalier treatment of others and their ideas makes him seem confident. But these behaviors are expressive of a severe lack of confidence, largely arising out of guilt. Those who understand guilt and pay attention to behavior are always the first to recognize the leader is "getting away with something."

For a person with diminished moral and ethical standards, that's all it takes. "If he can get away with it, I can get away with it," they say. And so, let the corruptions commence. Any gossip permeating the organization which discusses the leader, his cronies and what they might be doing to "get away with something," should be thoroughly investigated. If an employee says, "Well, everybody knows he got paid to get those crooks a license," it's time to begin questioning the people who know this. It might be gossip, but it might be the instinctive "reading" of changed behavior by sensitive people.

Persons near the top of the chain of command are well-educated, intelligent and familiar with psychology, risk analysis and trend analysis. When the leader's psychology changes and the trend of his behavior demonstrates more guilt and "covering behavior" to disguise his growing lack of confidence, middle managers quickly adapt their operating methods to the dubious situations in which they more frequently find themselves.

When leaders become dishonest, whole pages of the rule book go out the window. Certain people who were in the "inner circle" are suddenly terminated, though they were considered to be long-term friends of people at the top. The memo on the bulletin board explains only that they "took early retirement" or have decided to "seek opportunities elsewhere." This is called bloodletting, and it means the leaders cannot trust their closest friends. The secret they share, or don't want to share, is too dangerous.

And because of this, the leaders suddenly cannot be trusted, so those further down the ladder from the top make a curious adjustment of their own. Corruption must be secret, and it must gain wealth. So in order to be successfully corrupt, the middle managers don't copy the leader's style of corruption. After all, any corrupt action he takes is secret, invisible to them. Instead, they copy his style of caution. They are as careful or as reckless as the bosses are. Always the rule is: "If he can get away with it, I can get away with it." The more reckless these employees become, the more obvious, to them, is the leader's corruption.

As corruption moves down the chain of command, threats and intimidation begin to affect the lives of citizens:

Developers freely exchange the names of Building Inspectors who can be paid to ignore the signs of unreinforced construction, and they threaten their employees with firing if they talk about this. (They talk about it anyway; of what value is a job working for a crook who builds dangerous buildings to increase his profits?)

City Councilmen who have been "taken care of" unanimously approve the construction of a sewage treatment plant across the street from a factory, so that hydrocarbon toxins can be conveniently poured into a creek, disguised by half-treated sewage, and flow without interruption into the Great Lakes. Factory owners threaten their employees: "If EPA ever so much as tries to investigate us, I can move all your jobs to Mexico and pay those people .56 an hour!" Intimidated, the workers keep quiet. Later, when investigators discover the cancer infection rate is suddenly three times the national average, the threat becomes: "Any of you people with cancer, if you give information to those liberals, you could lose your medical insurance."

When a house is partially burned, the Town Council orders it completely demolished, citing health and safety, because the councilors get a percentage from the developer who rebuilds it, and they want him to rebuild the whole house, not just the burned portion. The percentage is bigger, but sometimes this leaves people homeless because their insurance won't cover the cost of the entire house. The Town Council doesn't care, they just resent the loss of that larger percentage.

So the perfidious acts of elected officials and corporate officers are beginning to produce negative impacts on the lives of the working poor. When corruption becomes the norm among the middle class and middle management, the poor merely see it as "the way things are going." Risk-taking poor individuals now commit crimes of armed robbery, while risk-averse individuals commit crimes of drug sales and identity theft. Again, the only behaviors that are copied are the behaviors supporting caution or the lack of caution.

The more profligate the corruption at the top, the more outrageous the anti-social behavior will be at the bottom. The first public clue to widespread corruption is an increase in local crime, unemployment and prostitution, coupled with an increase in outrageous behavior in schools, sports events and places where alcohol is served.

When adults commit crimes against children, and when children routinely engage in acts of cruelty against each other and small animals, these are signs that the corruption has become thoroughly entrenched in a regional society. Parents are communicating their corruption to children, perhaps by screaming, threatening, or attacking them, and secretive acts committed throughout the community (murdering pets or wildlife, arson, vandalism) demonstrate a growing depraved indifference to life, a growing disrespect for the feelings of others. School teachers, coaches or administrators become oppressive, threatening, they engage in severe punishments more frequently than in the past. Politicians call for stronger laws to "deal with these out-of-control teen-agers." Children and teens exchange acts of corruption and cruelty in the schoolyard. Drug use may increase if drugs are available. Frustrated teen-age drivers swerve on the highway to kill raccoons and possum because it "makes them feel better." Verbal communication in the lower classes of local society begins to be infused with threats, intimidation, bullying, anger, contempt, ridicule. Jokes become jokes about death and murder: "Oh, look," a pretty girl says, "a small child, kill it," and all her friends giggle. Signs posted in the local public park threaten litterbugs with prison. "Civilized" young adults gossip and there are no limits to the lies they spread. To a stranger, the local society appears vicious, more dangerous than a ghetto.

All these signs are symptomatic and related. They are forms of evidence indicating the local society is damaged by the corruption in leadership. People are angry and frustrated at being unable to improve their situation. An error frequently made by investigators is the assumption that when one or two flagrantly guilty persons are indicted, the investigation has been successful. This is generally not the case when corruption originates at the top of society. When "successful" persons in the middle of a hierarchy are violating ethics and laws, they are taking their cue from at least one, perhaps all, of the top five senior leaders in the organization. Someone up above middle management is "getting away with something," and the flagrantly obvious deviants below are merely copying what they see.

Throughout the organization, people "know," without having proof, that their leadership is corrupt and that the corruption is bleeding into the lives of average citizens, it is affecting business, it is altering the economy. There will be programs to "cut spending" because the leadership has been siphoning money out of the local or company economy to fill their offshore accounts.

When money becomes unavailable or more expensive, honest bankers and savvy journalists begin to question where the money is going. Soon the leaders confirm their suspicions by erecting barriers to public communication, barriers to criticism. They design twenty-page "security agreements" which all employees are required to sign; the excuse is security, but the purpose of these agreements is to prevent whistleblowing and exclude union activism. Leaders may refuse to answer questions or sit for interviews. They punish those who ask "too many questions." Journalists may be threatened, lose their entry credentials, suckered into other stories with red-herring bait or their editors may be influenced to reassign or terminate them. In cities and towns, new laws may be passed to prevent public meetings or to require a license application and fee for any person or group sponsoring a large gathering of citizens. The police may investigate anyone found to be circulating a petition. This will be "for the security of the community." Whispering campaigns may warn middle-class citizens to "keep away" from someone considered too inquisitive. Strangers may circulate through the parking lot, writing down the license plates of citizens who gather to discuss the problems of the community. Threats are focused on the wives and children of men who attend those meetings, because women "fold" more readily.

The overall message sent down to the working poor by a corrupt leadership is this: "You are powerless, we are strong. We can terminate you, we can take away your pension and your medical insurance. We can have you arrested and punished. We can have you ostracized from your community. We can have your children harmed if you make it necessary. We can frighten your wife, and if she cannot convince you to behave, we will harm your children. Do you want to be responsible for the pain they suffer?"

When a small town is prosperous, it is generally prosperous because one of two situations exists: 1. Everyone works very hard, they cooperate, they exchange information and they have a "one for all and all for one" attitude. OR, 2. There is one key player which provides employment for a lot of people. When that key player (a big factory, a bank, a military base) hires many workers and contracts with small business in the region, the economy is boosted, people become prosperous, and the middle class becomes generally thankful that the key player is in their little town. They would consider it a tragedy if the key player moved or went out of business.

A relationship between any two individuals will evolve, will change, as the individuals enjoy prosperity or suffer financial loss. The relationship between citizens of a town and the management of a key player is no different. Sooner or later, the key player begins to recognize the financial dependency of the town's middle class on economics generated by the key player. Suddenly overconfident, the management team of the key player begins to communicate heightened expectations of cooperation from middle class citizens. They begin to make demands. Who has not observed or heard of the heavy-handed influence of a large factory in the elections of a small town? The management of the factory wants greater influence in the design of laws and enforcement of law in the town; therefore any unethical exercise of power to support the factory's chosen candidate becomes acceptable behavior...as long as it is secret.

The longer the factory or bank controls the town, the more radical the demands of its management become. They have grown confident in their power and they feel they have a divine right to increase their control. Simultaneously, their overconfidence leads them to make decisions which they know would cause a public outcry if the decisions became known. So, overconfident, but feeling guilt and fear at the thought of "being caught," they make decisions which can only be described as a cover-up. They become desperate to halt inquiries made into their dealings, they begin to make "enemy lists," they engage in secretive behavior. Threats and lies follow the secrecy, terminations of "talkative" employees follow the threats and lies.

When a key player is continually successful at electing its "insider" candidates to the town council, the swelling confidence of management makes greater demands on the candidates who are elected. The pressure is on to accomplish tasks the key player has decided are necessary to its success. At the same time, co-optation strategies (bribery, extortion, threats, public accusations) are used to gain the unwilling cooperation of "outsiders" who are accidentally elected. As a result, new laws are passed to support activities of the key player, and to thwart activities of those who are considered by the key player to be its enemies. Thus we have the image of the one-factory town in which the one factory is acknowledged by all citizens to "have the whole town sewed up."

Two aspects of behavior exist to demonstrate when a key player is moving aggressively to dominate a small town. First, the "outsider" candidates complain during elections that they are attacked unfairly, that others are telling outrageous lies about them, and that the truth they tell is never printed or distributed by local media. Second, the design of laws passed by "insider" legislators may provide clues to the influence of a key player.

In a typical town, a petty law exists and is strictly enforced. No citizen is allowed to post bills or signs on the telephone poles and fences belonging to the town. This seems unfair to most Americans, it is a custom in free cities of America, when your puppy is lost, you put a picture of the puppy on a sign saying "Lost Puppy" and staple the signs on phone poles around the neighborhood. But in a town where the greatest fear of the key player's management is a union organizer whose sign might read: "Fight for Union Wages, Bob's House, Saturday Night!" the posting of bills is strictly prohibited and violators are warned, threatened, arrested and prosecuted.

Rejecting behavior toward "undesirables" has become more sophisticated since the passage of the Civil Rights Act of 1964 and the various Hate Crime laws of more recent vintage. Blatant, angry behavior of power groups toward the people they despise has disappeared, and rejecting activities are much more subtle and refined. These actions fit into a formula combining freedom of speech, legal acts of avoidance and secret maneuvers or gossip. When a large, successful organization engages in rejecting activity, the actions of their supporters are subtle and sophisticated, because they are advised by attorneys. These rejecting behaviors become habitual among the middle-class culture which seeks to imitate and please the powerful organization which dominates them. Thus we have the image of the "town without pity."

As the key player becomes more powerful, the desire of the management team for control and domination of the town begins to violate the U.S. Constitution. Laws which are not strictly legal are passed to keep "undesirables" out of town. Forms of propaganda may be circulated, may even be taught in the high schools and preached in the churches. The propaganda is designed to destroy respect for the federal government, especially with regard to investigative agencies which enforce financial (SEC, FDIC), environmental (EPA), labor (National Labor Relations Board) and other major groups of federal laws. Any "over-the-top" conspiracy theory which is being fed to young people should bring an investigation of the school board, the church hierarchy, or whatever decision-making group is responsible for championing this propaganda. Investigators should inquire to learn why the theory is being taught and who financed the effort. Members of the public should be informed that they have a right to refuse the "training" sessions, disagree with what is taught, and that any effort to punish them for disagreement is illegal, discriminatory and a good reason for a public lawsuit. When whole communities are spoon-fed a political theory which undermines respect for the government, there is usually a financial payment, funds are donated to churches and private in return for the delivery of the desired propaganda. The source of financing should be publicly identified.

In one town, when newcomers rent or buy into the neighborhood, they are visited within the first weeks by a middle-class neighbor, generally smiling and bringing a small gift. A clue to the purpose of her visit may be the number of questions she asks, specifically with regard to how the newcomer earns a living. The newcomer's next experience will be of two policemen showing up at his door, asking questions and mentioning that they have received an anonymous complaint. The police will have checked the newcomer's arrest record, they may demand his social security number. These visits by police will never stop, they may be weekly, monthly or quarterly, but their investigations will continue as long as the anonymous complaints keep rolling in, and the complaints will continue until the unwanted newcomer leaves. The police will never mention that the officer taking calls at the station knows all the middle-class and wealthy people in town by the sound of their voices. In a small town, there is no such thing as an anonymous report, but the officer at the phone is careful never to write down the names of leading citizens.

Middle class citizens involved in a local culture which protects the key player will shun or insult certain newcomers. This is a demonstration of their confidence and their fear at the same time. They owe their prosperity to the powerful mover-and-shaker, so if a newcomer is identified by insiders as an undesirable, they feel no social obligation to be polite or to moderate their anti-social behavior. They may quietly insult him with a smirk, they may scream at him in the public street, they may quietly gossip behind his back, but their behavior will not be moderated by any obligations to the ideals and ethics of the larger society. They are demonstrating their membership in a powerful, ghetto-like gang.

This membership is strongly enforced by gossip, and it creates comical situations. Members of the insider group have been warned away from the newcomer. They have been told not to deal with him or do business with him, to make him go away. Some of these members may accidentally become involved in a conversation before they realize they are speaking in public with someone who must be shunned. Suddenly the face registers surprise, the insider stops talking, steps back confused, turns and walks away without even finishing a sentence. When this happens three or four times, assume you are being shunned. Make a list of the people who are shunning you.

An associated clue might be your equality of racial and economic status with the insiders. If members of other races are shunned, or if middle-class people self-importantly shun working-class people, the newcomer might decide the cause of shunning is his racial or economic differentiation. But if a man is white, middle-class and Christian, and he is shunned by white, middle-class Christians, that is a clue which has great importance. The newcomer is perceived as a threat; the members of the clique which supports the key player have something to hide. They fear the newcomer.

Because he is their intellectual and social equal, he might perceive their secret. He might "see right through them."

"Yeah," says the tough detective. "White men know all about gravity. Crap rolls downhill."

Clues to Criminal Conspiracy in Towns and Corporations Selena Gomez - #VEVOCertified, Pt. 6: Love You Like a Love Song (Fan Lip Sync) Tube. Duration : 3.30 Mins.
Rating: 4.6810074


Selena Gomez & The Scene - #VEVOCertified, Pt. 6: Love You Like a Love Song (Fan Lip Sync Version). (C) 2012 Hollywood Records, Inc. www.vevo.com www.youtube.com

Keywords: Selena, Gomez, The, Scene, #vevocertified, Pt., 6:, Love, You, Like, Song, (Fan, Lip, Sync, Version), Hollywood, Records, Pop

Saturday, July 28, 2012

The Age Gap - Does it Really Matter?

The age gap between couples is universally discussed, usually by those least concerned but most often in critical terms of either one or both parties involved. In cases where the woman is significantly younger than the man, opinions usually concur that she is gold digging. The fact is, though, that gold digging is certainly not confined to individuals who marry or live with partners much older than themselves and can be a factor in many relationships where the partners are closer in age.

The man is invariably accused of trying to recover his lost youth by bagging a trophy wife, 'fooling himself' into thinking he can stretch his remaining years a little further by introducing a fresh - er -face into the proceedings. Perhaps.

Iron Man

What is always evident in these matters is that onlookers, for some reason, display a curious passion about the couple's private affairs, almost as if they are directly affected. Close relatives aside, there could not be any harm in two people finding a mutual rapport and pursuing a meaningful romance, whatever the age.

The Age Gap - Does it Really Matter?

Problems do arise where the couple make the decision to have children. A man who continues to have children past the age of sixty is undeniably condemning his child to a one parent family unit as he will surely not be around to see his offspring's teenage years unless he exceptionally healthy. Alternatively, women who marry men much younger than themselves have little chance or inclination to bear more children and are unlikely to be granted adoption due to their age. Ergo, the man is then consigned to a childless existence.

Also, the unfortunate fact is that usually there are casualties of such liaisons. A man setting his cap at a very young woman is sometimes casting aside a faithful wife who is pitifully ill-equipped to compete with a girl half her age for her man's affections. Grown up children of a twenty or thirty year marriage can assert plenty of pressure on a father who has plans to desert their mother for a woman younger than them. The same applies to women setting up house with a younger man, although usually women are without partners. In this case, the grown up children tend to have a greater influence on their mother and can sometimes engineer a lengthy separation unless the mother is very strong willed.

Where couples are intellectually mature enough to weigh up the advantages and disadvantages of the age gap, one must assume they are also apprised of the pitfalls and are not entering into the relationship without full knowledge of the possible consequences. On this basis, we should surely be leaving them alone to iron out their own problems instead of making the sweeping assumption that it is all going to go horribly wrong and spitefully waiting in the wings to see what is going to happen next.

Easy to say, provided it is not your own eighteen year old daughter proposing a lifetime with a man of forty three and tearfully protesting "...but I love him...!" when being told she must give up the idea and find someone more suitable.

The Age Gap - Does it Really Matter? Jennifer Lopez - Goin' In ft. Flo Rida Tube. Duration : 4.15 Mins.
Rating: 4.4408326


Music video by Jennifer Lopez performing Goin' In. © 2012 The Island Def Jam Music Group

Keywords: Jennifer, Lopez, Goin', In, Island, Def, Jam, Pop

Friday, July 27, 2012

Venice Beach

If you've ever watched any movies showing California, and you've seen people with beautiful bodies roller skating or blading, street performers of all types waiting to be discovered by Hollywood or music producers because of their talent, muscular athletes pumping iron while on the beach or some bodies laying on the sand, others trying to catch a wave, and numerous sailboats on the horizon, you've probably been looking at a portion of Venice Beach, one of the most filmed and photographed areas in the world.

Though most people from outside of the area don't know it, the name of the city if actually just Venice, called this because of its preponderance of canals that flow throughout the city. This was the idea of a man named Abbot Kinney, who wanted to build an American version of Venice, Italy. There are more than 16 miles of canals around the city, complete with gondola rides, and many residential properties align the canals, although some of them have either been closed up or filled in now.

Iron Man

The Venice Beach area itself was meant to be an area that would attract visitors from all around the world. Kinney Pier was built to have an amusement park like feel, with rides and attractions, and piers were built to accommodate fishing and even more things for people to do and visit.

Venice Beach

Of course, Venice is most known for Venice Beach, which has a promenade that runs parallel to the beach, which is where we see all the roller skaters and surfboarders in bikinis and swim trunks; Muscle Beach, where the beautiful hard bodies build themselves up and show themselves off to the world; handball courts; the paddle tennis courts; Skate Dancing plaza; beach volleyball courts; a bike trail; and an array of outdoor basketball courts, which has become a major attraction itself because the best players from across the country will come and play against each other, sometimes using it as a place to audition their talent for coaches looking for that next big star.

And you know, if there are beautiful places, the beautiful people, aka, the rich and famous, are going to be there. And Venice Beach is loaded with a rich history and present of celebrities who have either had Venice as their home or Venice Beach as a place they love to come and play. Jim Morrison and George Carlin both lived here at one time. Lawrence Welk not only lived here, but his band performed nightly at the Aragon Ballroom, which is now gone. Wolfgang Puck has owned and operated noted eateries in the area since the 1990s. Dennis Hopper and Simpsons creator Matt Groening live here, along with Julia Roberts, Kate Beckinsale, Anjelica Huston, Nicolas Cage, Viggo Mortensen, Rutger Hauer, South Park co-creator Matt Stone, and Elijah Wood.

Venice is known for its cottages, where many people live so they can be close to the beach. These days, many of the cottages are more upscale and green, as there are solar communities to help protect the environment and the residents while they're staying there.

Venice Beach Wiley | Heatwave feat. Ms.D (Official Video) Video Clips. Duration : 3.35 Mins.
Rating: 4.852574


Pre-order from iTunes here: bit.ly Watch the official video for Heatwave by Wiley, out July 29th. Website: wileyheatwave.com Facebook www.facebook.com Twitter: twitter.com Produced by Rymez Directed by Rohan Blair-Mangat (Rokkit.TV)

Keywords: wiley, heatwave, official, video, grime, eski, rymez

Wednesday, July 25, 2012

Implications of Scientific Discovery Integration

Time has shown that the human mind has a vast imagination and an uncanny ability to triumph over any challenge that comes his way. Over the past centuries, developments in medicine and medical treatment have made great strides. Simultaneously, technology has developed in ways that have made our lives easier and have provided us with ways to prolong our existence and strengthen our impact on the external world.

As time progresses and we approach the would-be future, there seems to be a grown trend of overlap and ultimate convergence, especially in the natural sciences. Physical laws and properties, ranging from the cosmic to the quantum, are found to be true in biological interaction, chemistry, mechanics and many other forms of discipline. With each new discovery comes a new subset of applications for which technological advance can be realized.

Iron Man

But what will all of these discoveries and integrative scientific approaches to the study of life lead to?

Implications of Scientific Discovery Integration

Everyday, a new product or device is introduced makes yet another task easier to do or burden easier to bear. Computers and electronic devices are becoming ever more integrated into our everyday lives, even into our bodies. Heart pacemakers and defibrillators are implanted into the body to ensure adequate function of the heart. Some companies have introduced products that have identification information embedded into the skin, able to be accessed simply by scanning it with an electronic device.

Scientists are not far from fully developing a mechanical device that responds to brain signals and brainwave patterns. The farther we push the limits of technology, to closer we become to existing in a "Matrix-like" society. Cybernetic organism will become reality rather than fantasy and free will, choice, imagination and powers of the heart might be challenged by the systemic, logic-bound, technological processes of man-made (even machine-made) devices.

These ideas may seem outlandish and preposterous at the moment, but if you allow your imagination to ask these questions, you will be amazed at what you might conceive. That is the point. The human mind is limitless in terms of what it can imagine and, more importantly, what it can create. And while these advances might be testaments to human power, vitality and devotion, it can also be quite dangerous if not control under an umbrella governed by a desire to preserve the human life.

Even now, new technological devices pose a threat to the well being of unsuspecting consumers who trust a company's product blindly. No matter how remarkable, even piece of technology is capable of malfunctioning or failing, ironically, much like human beings, they are not perfect.

This is why we have a legislative system in place, in which you are able to exercise your rights as a citizen of the country. If you would like more information visit, www.medtroniclawsuitattorney.com.

Implications of Scientific Discovery Integration Nelly Furtado - Spirit Indestructible Tube. Duration : 4.30 Mins.
Rating: 4.8216543


Music video by Nelly Furtado performing Spirit Indestructible. (C) 2012 Interscope Records/Mosley Music Group LLC

Keywords: nelly, furtado, music, vid, new, Spirit, Indestructible, Indesctructible, video, Idesctructible.

Tuesday, July 24, 2012

Wildlife Art - Its History and Development

Summary

Some of the earliest of all known art (pre-historic cave and rock art) features wildlife. However, it might be more properly regarded as art about food, rather than art about wildlife as such.

Iron Man

Then for a lot of the rest of the history of art in the western world, art depicting wildlife was mostly absent, due to the fact that art during this period was mostly dominated by narrow perspectives on reality, such as religions. It is only more recently, as society, and the art it produces, frees itself from such narrow world-views, that wildlife art flourishes.

Wildlife Art - Its History and Development

Wildlife is also a difficult subject for the artist, as it is difficult to find and even more difficult to find keeping still in a pose, long enough to even sketch, let alone paint. Recent advances such as photography have made this far easier, as well as being artforms in their own right. Wildlife art is thus now far easier to accomplish both accurately and aesthetically.

In art from outside the western world, wild animals and birds have been portrayed much more frequently throughout history.

Art about wild animals began as a depiction of vital food-sources, in pre-history. At the beginnings of history the western world seems to have shut itself off from the natural world for long periods, and this is reflected in the lack of wildlife art throughout most of art history. More recently, societies, and the art it produces, have become much more broad-minded. Wildlife has become something to marvel at as new areas of the world were explored for the first time, something to hunt for pleasure, to admire aesthetically, and to conserve. These interests are reflected in the wildlife art produced.

The History and development of Wildlife Art...

Wildlife art in Pre-history.

Animal and bird art appears in some of the earliest known examples of artistic creation, such as cave paintings and rock art

The earliest known cave paintings were made around 40,000 years ago, the Upper Paleolithic period. These art works might be more than decoration of living areas as they are often in caves which are difficult to access and don't show any signs of human habitation. Wildlife was a significant part of the daily life of humans at this time, particularly in terms of hunting for food, and this is reflected in their art. Religious interpretation of the natural world is also assumed to be a significant factor in the depiction of animals and birds at this time.

Probably the most famous of all cave painting, in Lascaux (France), includes the image of a wild horse, which is one of the earliest known examples of wildlife art. Another example of wildlife cave painting is that of reindeer in the Spanish cave of Cueva de las Monedas, probably painted at around the time of the last ice-age. The oldest known cave paintings (maybe around 32,000 years old) are also found in France, at the Grotte Chauvet, and depict horses, rhinoceros, lions, buffalo, mammoth and humans, often hunting.

Wildlife painting is one of the commonest forms of cave art. Subjects are often of large wild animals, including bison, horses, aurochs, lions, bears and deer. The people of this time were probably relating to the natural world mostly in terms of their own survival, rather than separating themselves from it.

Cave paintings found in Africa often include animals. Cave paintings from America include animal species such as rabbit, puma, lynx, deer, wild goat and sheep, whale, turtle, tuna, sardine, octopus, eagle, and pelican, and is noted for its high quality and remarkable color. Rock paintings made by Australian Aborigines include so-called "X-ray" paintings which show the bones and organs of the animals they depict. Paintings on caves/rocks in Australia include local species of animals, fish and turtles.

Animal carvings were also made during the Upper Paleolithic period... which constitute the earliest examples of wildlife sculpture.

In Africa, bushman rock paintings, at around 8000 BC, clearly depict antelope and other animals.

The advent of the Bronze age in Europe, from the 3rd Millennium BC, led to a dedicated artisan class, due to the beginnings of specialization resulting from the surpluses available in these advancing societies. During the Iron age, mythical and natural animals were a common subject of artworks, often involving decoration of objects such as plates, knives and cups. Celtic influences affected the art and architecture of local Roman colonies, and outlasted them, surviving into the historic period.

Wildlife Art in the Ancient world (Classical art).

History is considered to begin at the time writing is invented. The earliest examples of ancient art originate from Egypt and Mesopotamia.

The great art traditions have their origins in the art of one of the six great ancient "classical" civilizations: Ancient Egypt, Mesopotamia, Greece, Rome, India, or China. Each of these great civilizations developed their own unique style of art.

Animals were commonly depicted in Chinese art, including some examples from the 4th Century which depict stylized mythological creatures and thus are rather a departure from pure wildlife art. Ming dynasty Chinese art features pure wildlife art, including ducks, swans, sparrows, tigers, and other animals and birds, with increasing realism and detail.

In the 7th Century, Elephants, monkeys and other animals were depicted in stone carvings in Ellora, India. These carvings were religious in nature, yet depicted real animals rather than more mythological creatures.

Ancient Egyptian art includes many animals, used within the symbolic and highly religious nature of Egyptian art at the time, yet showing considerable anatomical knowledge and attention to detail. Animal symbols are used within the famous Egyptian hieroglyphic symbolic language.

Early South American art often depicts representations of a divine jaguar.

The Minoans, the greatest civilization of the Bronze Age, created naturalistic designs including fish, squid and birds in their middle period. By the late Minoan period, wildlife was still the most characteristic subject of their art, with increasing variety of species.

The art of the nomadic people of the Mongolian steppes is primarily animal art, such as gold stags, and is typically small in size as befits their traveling lifestyle.

Aristotle (384-322 BC) suggested the concept of photography, but this wasn't put into practice until 1826.

The Medieval period, AD 200 to 1430

This period includes early Christian and Byzantine art, as well as Romanesque and Gothic art (1200 to 1430). Most of the art which survives from this period is religious, rather than realistic, in nature. Animals in art at this time were used as symbols rather than representations of anything in the real world. So very little wildlife art as such could be said to exist at all during this period.

Renaissance wildlife art, 1300 to 1602.

This arts movement began from ideas which initially emerged in Florence. After centuries of religious domination of the arts, Renaissance artists began to move more towards ancient mystical themes and depicting the world around them, away from purely Christian subject matter. New techniques, such as oil painting and portable paintings, as well as new ways of looking such as use of perspective and realistic depiction of textures and lighting, led to great changes in artistic expression.

The two major schools of Renaissance art were the Italian school who were heavily influenced by the art of ancient Greece and Rome, and the northern Europeans... Flemish, Dutch and Germans, who were generally more realistic and less idealized in their work. The art of the Renaissance reflects the revolutions in ideas and science which occurred in this Reformation period.

The early Renaissance features artists such as Botticelli, and Donatello. Animals are still being used symbolically and in mythological context at this time, for example "Pegasus" by Jacopo de'Barbari.

The best-known artist of the high Renaissance is Leonardo-Da-Vinci. Although most of his artworks depict people and technology, he occasionally incorporates wildlife into his images, such as the swan in "Leda and the swan", and the animals portrayed in his "lady with an ermine", and "studies of cat movements and positions".

Durer is regarded as the greatest artist of the Northern European Renaissance. Albrecht Durer was particularly well-known for his wildlife art, including pictures of hare, rhinoceros, bullfinch, little owl, squirrels, the wing of a blue roller, monkey, and blue crow.

Baroque wildlife art, 1600 to 1730.

This important artistic age, encouraged by the Roman Catholic Church and the aristocracy of the time, features such well-known great artists as Caravaggio, Rembrandt, Rubens, Velazquez, Poussin, and Vermeer. Paintings of this period often use lighting effects to increase the dramatic effect.

Wildlife art of this period includes a lion, and "goldfinch" by Carel Fabrituis.

Melchior de Hondecoeter was a specialist animal and bird artist in the baroque period with paintings including "revolt in the poultry coup", "cocks fighting" and "palace of Amsterdam with exotic birds".

The Rococo art period was a later (1720 to 1780) decadent sub-genre of the Baroque period, and includes such famous painters as Canaletto, Gainsborough and Goya. Wildlife art of the time includes "Dromedary study" by Jean Antoine Watteau, and "folly of beasts" by Goya.

Jean-Baptiste Oudry was a Rococo wildlife specialist, who often painted commissions for royalty.

Some of the earliest scientific wildlife illustration was also created at around this time, for example from artist William Lewin who published a book illustrating British birds, painted entirely by hand.

Wildlife art in the 18th to 19th C.

In 1743, Mark Catesby published his documentation of the flora and fauna of the explored areas of the New World, which helped encourage both business investment and interest in the natural history of the continent.

In response to the decadence of the Rococo period, neo-classicism arose in the late 18th Century (1750-1830 ). This genre is more ascetic, and contains much sensuality, but none of the spontaneity which characterizes the later Romantic period. This movement focused on the supremacy of natural order over man's will, a concept which culminated in the romantic art depiction of disasters and madness.

Francois Le Vaillant (1769-1832) was a bird illustrator (and ornithologist) around this time.

Georges Cuvier, (1769-1832), painted accurate images of more than 5000 fish, relating to his studies of comparative organismal biology.

Edward Hicks is an example of an American wildlife painter of this period, who's art was dominated by his religious context.

Sir Edwin Henry Landseer was also painting wildlife at this time, in a style strongly influenced by dramatic emotional judgments of the animals involved.

This focus towards nature led the painters of the Romantic era (1790 - 1880) to transform landscape painting, which had previously been a minor art form, into an art-form of major importance. The romantics rejected the ascetic ideals of Neo-Classicalism.

The practical use of photography began in around 1826, although it was a while before wildlife became a common subject for its use. The first color photograph was taken in 1861, but easy-to-use color plates only became available in 1907.

In 1853 Bisson and Mante created some of the first known wildlife photography.

In France, Gaspar-Felix Tournacho, "Nadar" (1820-1910) applied the same aesthetic principles used in painting, to photography, thus beginning the artistic discipline of fine art photography. Fine Art photography Prints were also reproduced in Limited Editions, making them more valuable.

Jaques-Laurent Agasse was one of the foremost painters of animals in Europe around the end of the 18th C and the beginning of the 19th. His animal art was unusually realistic for the time, and he painted some wild animals including giraffe and leopards.

Romantic wildlife art includes "zebra", "cheetah, stag and two Indians", at least two monkey paintings, a leopard and "portrait of a royal tiger" by George Stubbs who also did many paintings of horses.

One of the great wildlife sculptors of the Romantic period was Antoine-Louis Barye. Barye was also a wildlife painter, who demonstrated the typical dramatic concepts and lighting of the romantic movement.

Delacroix painted a tiger attacking a horse, which as is common with Romantic paintings, paints subject matter on the border between human (a domesticated horse) and the natural world (a wild tiger).

In America, the landscape painting movement of the Romantic era was known as the Hudson River School (1850s - c. 1880). These landscapes occasionally include wildlife, such as the deer in "Dogwood" and "valley of the Yosemite" by Albert Bierstadt, and more obviously in his "buffalo trail", but the focus is on the landscape rather than the wildlife in it.

Wildlife artist Ivan Ivanovitch Shishkin demonstrates beautiful use of light in his landscape-oriented wildlife art.

Although Romantic painting focused on nature, it rarely portrayed wild animals, tending much more towards the borders between man and nature, such as domesticated animals and people in landscapes rather than the landscapes themselves. Romantic art seems in a way to be about nature, but usually only shows nature from a human perspective.

Audubon was perhaps the most famous painter of wild birds at around this time, with a distinctive American style, yet painting the birds realistically and in context, although in somewhat over-dramatic poses. As well as birds, he also painted the mammals of America, although these works of his are somewhat less well known. At around the same time In Europe, Rosa Bonheur was finding fame as a wildlife artist.

Amongst Realist art, "the raven" by Manet and "stags at rest" by Rosa Bonheur are genuine wildlife art. However in this artistic movement animals are much more usually depicted obviously as part of a human context.

The wildlife art of the impressionist movement includes "angler's prize" by Theodore Clement Steele, and the artist Joseph Crawhall was a specialist wildlife artist strongly influenced by impressionism.

At this time, accurate scientific wildlife illustration was also being created. One name known for this kind of work in Europe is John Gould although his wife Elizabeth was the one who actually did most of the illustrations for his books on birds.

Post-impressionism (1886 - 1905, France) includes a water-bird in Rousseau's "snake charmer", and Rousseau's paintings, which include wildlife, are sometimes considered Post-impressionist (as well as Fauvist, see below).

Fauvism (1904 - 1909, France) often considered the first "modern" art movement, re-thought use of color in art. The most famous fauvist is Matisse, who depicts birds and fish in is "polynesie la Mer" and birds in his "Renaissance". Other wildlife art in this movement includes a tiger in "Surprised! Storm in the Forest" by Rousseau, a lion in his "sleeping Gypsy" and a jungle animal in his "exotic landscape". Georges Braque depicts a bird in many of his artworks, including "L'Oiseaux Bleu et Gris", and his "Astre et l'Oiseau".

Ukiyo-e-printmaking (Japanese wood-block prints, originating from 17th C) was becoming known in the West, during the 19th C, and had a great influence on Western painters, particularly in France.

Wildlife art in this genre includes several untitled prints (owl, bird, eagle) by Ando Hiroshige, and "crane", "cat and butterfly", "wagtail and wisteria" by Hokusai Katsushika.

Wildlife art in the 20th Century, Contemporary art, postmodern art, etc.

Changing from the relatively stable views of a mechanical universe held in the 19th-century, the 20th-century shatters these views with such advances as Einstein's Relativity and Freuds sub-conscious psychological influence.

The greater degree of contact with the rest of the world had a significant influence on Western arts, such as the influence of African and Japanese art on Pablo Picasso, for example.

American Wildlife artist Carl Runguis spans the end of the 19th and the beginnings of the 20th Century. His style evolved from tightly rendered scientific-influenced style, through impressionist influence, to a more painterly approach.

The golden age of illustration includes mythical wildlife "The firebird" by Edmund Dulac, and "tile design of Heron and Fish" by Walter Crane.

George Braque's birds can be defined as Analytical Cubist (this genre was jointly developed by Braque and Picasso from 1908 to 1912), (as well as Fauvist). Fernand Leger also depicts birds in his "Les Oiseaux".

There was also accurate scientific wildlife illustration being done at around this time, such as those done by America illustrator Louis Agassiz Fuertes who painted birds in America as well as other countries.

Expressionism (1905 - 1930, Germany). "Fox", "monkey Frieze, "red deer", and "tiger", etc by Franz Marc qualify as wildlife art, although to contemporary viewers seem more about the style than the wildlife.

Postmodernism as an art genre, which has developed since the 1960's, looks to the whole range of art history for its inspiration, as contrasted with Modernism which focuses on its own limited context. A different yet related view of these genres is that Modernism attempts to search for an idealized truth, where as post-modernism accepts the impossibility of such an ideal. This is reflected, for example, in the rise of abstract art, which is an art of the indefinable, after about a thousand years of art mostly depicting definable objects.

Magic realism (1960's Germany) often included animals and birds, but usually as a minor feature among human elements, for example, swans and occasionally other animals in many paintings by Michael Parkes.

In 1963, Ray Harm is a significant bird artist.

Robert Rauschenberg's "American eagle", a Pop Art (mid 1950's onwards) piece, uses the image of an eagle as a symbol rather than as something in its own right, and thus is not really wildlife art. The same applies to Any Warhol's "Butterflys".

Salvador Dali, the best known of Surrealist (1920's France, onwards) artists, uses wild animals in some of his paintings, for example "Landscape with Butterflys", but within the context of surrealism, depictions of wildlife become conceptually something other than what they might appear to be visually, so they might not really be wildlife at all. Other examples of wildlife in Surrealist art are Rene Magritte's "La Promesse" and "L'entre ed Scene".

Op art (1964 onwards) such as M. C. Escher's "Sky and Water" shows ducks and fish, and "mosaic II" shows many animals and birds, but they are used as image design elements rather than the art being about the animals.

Roger Tory Peterson created fine wildlife art, which although being clear illustrations for use in his book which was the first real field guide to birds, are also aesthetically worthy bird paintings.

Young British Artists (1988 onwards). Damien Hirst uses a shark in a tank as one of his artworks. It is debatable whether this piece could be considered as wildlife art, because even though the shark is the focus of the piece, the piece is not really about the shark itself, but probably more about the shark's effect on the people viewing it. It could be said to be more a use of wildlife in/as art, than a work of wildlife art.

Wildlife art continues to be popular today, with such artists as Robert Bateman being very highly regarded, although in his case somewhat controversial for his release of Limited-Edition prints which certain fine-art critics deplore.

Wildlife Art - Its History and Development DC SHOES: KEN BLOCK'S GYMKHANA FIVE: ULTIMATE URBAN PLAYGROUND; SAN FRANCISCO Tube. Duration : 9.87 Mins.
Rating: 4.903846


DC and Ken Block present Gymkhana FIVE: Ultimate Urban Playground; San Francisco. Shot on the actual streets of San Francisco, California, GYM5 features a focus on fast, raw and precise driving action. Filmed over four days, director Ben Conrad and his team are back to work on their second Gymkhana production and delivered the entire city of San Francisco as Ken Block's personal gymkhana playground. DC Shoes also provided fellow DC athlete and longtime Ken Block friend, Travis Pastrana, to make a cameo appearance on his dirtbike, and SF resident Jake Phelps of Thrasher Magazine fame also makes a cameo as Block hoons SF in his most incredible Gymkhana yet. For more information check us out at www.dcshoes.com

Keywords: Ken Block, Gymkhana, Gymkhana FIVE, GYM5, #GYM5, San Francisco, SF, urban playground, Travis Pastrana, whelie, DC Shoes, hoon, hooning, jump, drift jump, Potrero hill, Bullitt, Bay Bridge, barge, Twin Peaks, Financial district, Vermont street, Ford Fiesta, HFHV, Street drift, handbrake, Thrasher magazine, Josh Kalis, Styx, Come Sail Away, Trolly, 270, donut, anti lag, launch conrol, gopro

Saturday, July 21, 2012

History of Woodworking Tools

Archaeological finds show that wood was one of the first materials that man fashioned for use. He used wood for spears, handles for stone axes, wooden bowls, coffins, chairs, animal sculptures, and hunting fishing and building. Analysis of Neanderthals stone tools show that many of these were used solely as instruments to work wood. The first wooden wheel is credited as an ancient Mesopotamian creation, dating from around 3500 B.C.

Many Egyptian drawings show them using wooden tools for hunting, fishing and warfare. Buried in the tombs are examples of the use of wood in furniture for chairs, beds, boxes, chests baskets and lamps. Common to many tombs were clothing and shoes, fine jewels, perfumes and cosmetics, games, musical instruments, writing materials, heirlooms, fine tableware made of precious metals, pottery and glass. The Egyptians invented varnish, and veneering. The metal they used first was copper, followed by bronze and then iron. Tools include Axes, adze, chisels, saws.

Iron Man

Chinese woodworking is said to date from Lu Ban (between 771-403BC) He invented many things - a mobile counter-weighted siege ladder, grappling hooks, a boat ram for naval warfare, lifting gear and the horse carriage. He brought the Plane, and chalk line, plus other tools to china. He is said to have defined dimensions for the construction of tables, altars and numerous other items. The use of glue-less and nail-less joinery is a tradition of China.

History of Woodworking Tools

Planes are ancient. Basically they are a block of wood with a slot to hold a metal blade, and a wooden wedge to secure the blade, - hammer to adjust the depth and/or tighten the wedge. In fact a captive chisel or adze. The earliest plane found dates from Roman times. A plane was found in Pompeii, and the evidence from coins shows various designs were around before then The plane, along with other woodworking tools is depicted in many early paintings.

The Mary Rose a warship from the time of King Henry VIII, was built in 1503, and sank in 1545 during a battle. This was found and raised in 1982, and contained a wealth of goods from that period. A main deck cabin had eight chests of carpentry tools needed to maintain this ship - among them, mallet, drill, ruler, plane.

Woodworking represents one of the oldest civilized trades. Wood and the working of wood forms a considerable part of a countries activities. It was not until the Industrial Revolution (1760 -1830 onwards) that the efforts to mechanize the industry began to be realized. One basic fundamental change was due to James Watts invention of the steam engine in 1775. This was a great advance on the water wheel, and the first realistic motive power for operating machinery. America developed these advances and by 1850, North America was producing some of the world's best woodworking devices. The woodworking industry soon became one of the largest in America.

Like the resentment leading to riots caused by the spinning jenny in the textile industry in England, the introduction of mechanization to wood working sparked unrest. The first sawmill built in 1663 in England near London, was the site of so much rioting that it was abandoned. An attempt in 1768 to open another also failed, but due to government intervention, saw mills were establish soon afterwards.

The Circular saw was patented by Samuel Miller of Southampton in 1777, and the later major improvement of inserted teeth, was invented by Robert Eastman of Maine. There are many versions of the circular saw as a bench saw, designed for various particular jobs. Planing machines. In 1791 Sir Samuel Bentham patented new development in planing, sawing, beveling, moulding, veneer cutting, recessing and boring tools. In 1827 Malcolm Muir of Glasgow invented a machine to produce tongue and groove floor boarding in one machine. In 1847 in America, John Cumberland made many improvements to this design, but fell foul of an existing alternative patent - the battle ended finally in 1856. The feeling against the machines by the carpenters was very strong, and the mills in which these first machines were used had to be watched both day and night for several months. From around 1843 the prejudices of the workmen ceased and the demand for Planing machines increased rapidly.

A interesting ideas was used at this time, to license machines in areas, giving each mill owner the exclusive right for a given amount of territory, for which they paid a royalty.

In 1918 an air-powered hand held planing tool was developed to reduce shipbuilding labor during World War I. The air-driven cutter spun at 8000 to 15000 rpm and allowed one man to do the planing work of twenty men using manual tools. Various improvements were made to the construction and to devices to make the machines easier to adjust. Molding machines were developed from 1848 to 1860 in various designs. Mortising Machines The first practical mortising machines was made in 1807 in England and used in the Portsmouth shipyards. In 1826 A Branch of New York invented the square hollow cutters. Tenoning Machines were first invented in 1840. The Band saw This English invention of 1808 was developed by a Frenchman.

There are many sites on the internet covering the history of woodworking tools. Below are some sites which may be of interest for further reading:

vikinganswerlady.com/wood.shtml/Brilliant Viking stuff.
badgerwoodworks.com/category/woodworking-history/ Detail of tools in painting.
ehow.co.uk/info_7895496_late-19th-century-woodworking-tools.html/ 19th Century Tools.

History of Woodworking Tools No Doubt - Settle Down Video Clips. Duration : 6.23 Mins.
Rating: 4.769148


iTunes: smarturl.it Music video by No Doubt performing Settle Down. © 2012 Interscope

Tags: No, Doubt, new, video, settle, down, music, push, and, shove, gwen, stefani

Thursday, July 19, 2012

How To Survive The First Day With Your New Puppy - Puppy Power

So the big day has arrived! You're bringing home your first puppy. It sure is an exciting time, but man it can be scary too. Especially if it is your first kick at the k9 can. I remember each time I've experienced puppy's first day, just like it was yesterday, but each time my approach has been the same. Well not every time...my very first time was definitely a learning experience, but with every dog since I have used the same methods and practices.

You really need to start off on the right foot or paw so to speak. Ok, ok, enough of the puns.
But seriously, how you introduce your new friend to his new home is key to the whole relationship you, your family, and the dog that will form, grow and enjoy for years.

Iron Man

#1 Rule of owning a dog. You are the BOSS. This doesn't mean that you have to be mean or loud or rule with an iron fist, but you need the dog to learn that you expect obedience and that you are leading the dog. The dog never leads you. This needs to start on day 1 and should always be the way things are.

How To Survive The First Day With Your New Puppy - Puppy Power

When you bring Puppy home be very calm and keep the excitement as controlled as possible. If you have children, chances are that they will be very excited, but you need to explain to them that Puppy needs to come in to the house calm and ready to learn. There will be plenty of time (years and years) to show Puppy tons of affection and enjoy play time.

The Second thing that Puppy needs to learn is that she only has access to parts of your home that you allow. In time you can introduce it to different areas of your home, but I feel the best place to start is the kitchen. Why? Kitchens usually have flooring that is easy to clean and there will be lots of cleaning until such a time as you have successfully housebroken Puppy. Oh right! I forgot to tell you what the First thing that puppy needs to learn is.

The First thing that Puppy needs to learn is where he will go to 'pee'. After a very scary ride home in a pet carrier or even a box, your new little puppy will probably need some relief. Take Puppy from the car/bus/boat or whatever vehicle you arrived in and lead or carry her to the spot in your yard or the nearby park where Puppy will now call 'washroom'. Allow some time for nature to kick in and once that happens you are ready and need to practice the #2 Rule of owning a dog. Be positive!! Let Puppy know that you are pleased that he pee'd in this area, and that will be ingrained in his mind for ever. Dogs love to please. When you show that you are pleased they will want to repeat the action that caused the praise. Be sure to give Puppy lots of opportunity to visit the bathroom. Dogs are also creatures of habit, so once it becomes a habit to do her 'business' in that area she will want to go there whenever the urge comes along and not on the kitchen floor.

So there you have it. The first day is looked after. (The first night is a whole other topic. - article to follow) The power does lie in the time when your dog is still a puppy. Set the expectations, show who is boss and create habits that will last forever.

How To Survive The First Day With Your New Puppy - Puppy Power Nelly Furtado - Spirit Indestructible Video Clips. Duration : 4.30 Mins.
Rating:


Music video by Nelly Furtado performing Spirit Indestructible. (C) 2012 Interscope Records/Mosley Music Group LLC

Keywords: Nelly, Furtado, Spirit, Indestructible, Mosley, Interscope, Pop

Wednesday, July 18, 2012

The Courage of Women - An Undervalued Commodity

Men are simple, straightforward souls, valued for their ability to separate important matters from side issues of lesser significance. The average intelligent man may be relied upon to apply logic and reason in an emergency and act upon the information they have to affect a satisfactory result. Women, however, have a strong thread of iron determination coursing through those daintily upholstered bosoms, which men have yet to conquer.

Ask any recovering divorcee whether he got the better of his missus in the alimony court. Those of you who were cited for adultery might as well have tossed in the keys to the Porsche at the beginning and saved yourself a whole lot of aggravation, because she was going to win in the end and you knew it. Forget it, chum - you might get visiting rights to the dog if you behave yourself on access visits for six months.

Iron Man

There is something steely and unshakeable about a woman faced with a problem over her children. The protective lioness will come out every time, claws drawn, teeth bared and hackles up. The niceties of right and wrong are usually forgotten in the all important battle to ward off all criticism, whether it is from strangers, teachers, friend or foe.

The Courage of Women - An Undervalued Commodity

Any Human Resources Department will tell you that, faced with tribunal proceedings over an employee's dismissal, they will take on a man rather than a woman almost every time, the reason being they can usually apply a bargaining process with men; whereas women will use every underhand trick going to undermine the case of the opposition and bring sympathy firmly down on her side, thereby winning her case - unfairly, admittedly, but winning all the same.

Women have the strength to tackle problems alone, especially if they involve her family or those she perceives as within her circle to protect and support. Men tend to prefer the support of friends, especially if they have to defend themselves against a woman.

Never in the history of the world has there been a species with the indestructible courage of woman. Men will go to war and fight but women have had the courage to hold the fort at home single handed through so many human conflicts, ancient and modern; the iron fist in the satin glove.

The Courage of Women - An Undervalued Commodity Jay Sean - Sex 101 ft. Tyga Tube. Duration : 4.00 Mins.
Rating: 4.771665


Music video by Jay Sean performing Sex 101. (C) 2012 Cash Money Records Inc.

Tags: Jay, Sean, Sex, 101, Cash, Money/Republic, Records, Pop

Tuesday, July 17, 2012

The New Zealand Maori Tiki Is A Testament To The Art And History Of Our Country

The term tiki is applied to carved human figures generally, both by the Maori and by other Polynesians. The name possibly has some connection with the myth of Tiki, the first man created by Tane. On the other hand tiki or tikitiki is also a general term for carving in many parts of Polynesia, as, for instance, in Niue, where the Tiki myth is unknown and human figures were not carved. In New Zealand, however, tiki is usually applied to the human figure carved in green stone as a neck ornament. The full name is hei-tiki.

It has been suggested that this ornament is a fertility charm representing the human embryo, and that it should be worn only by women. However, early European visitors saw men wearing the hei-tiki and it is probable that the squat shape of the figure was influenced by the hardness of the material and that it was later likened to an embryo and endowed with magical powers. The shape is also probably due to the fact that tiki were often made from adze blades. Adzes and chisels made from greenstone were also prestige items and the shape of a green stone adze lends itself to conversion into a tiki. There are several extant examples of half-finished tiki evidently originally small adzes and sometimes on completed tiki, traces of the original cutting end shaping of a adze can be seen, usually at the foot.

Iron Man

Tiki or heitiki are most commonly made from nephrite, a stone related to jade and found in several places in New Zealand's South Island. It is called pounamu in Maori, green stone in New Zealand English. The Maori name for the South Island, Te Wai Pounamu, refers to this stone. There are traditional accounts for the creation of the stone which relate it to the children of Tangaroa. It is a very hard stone and is laborious to work, especially so with the primitive grinding tools available to the neolithic Maori. The tiki in the form illustrated here is unique to New Zealand and arguably the most archetypical Maori artifact, although the work tiki applied to fertility symbols is extremely common throughout polynesia.

The New Zealand Maori Tiki Is A Testament To The Art And History Of Our Country

Green stone, like jade, is a beautiful stone - classed as semi-precious - and quite variable in appearance. The varieties have Maori names. Its luster improves with age, reputedly as a result of being worn next to the skin. Tiki were worn around the neck - the hei part of the name carries this implication. They are more often, but not exclusively, worn by women in recent times. Suspension is usually vertical but some are suspended on their side.

Some traditional tiki in bone and ivory exist, made from whale bone or teeth, but as bone tiki are now commonly made for commercial trade, a bone tiki found in a shop is more likely to be recent and of cow bone. Most tiki are one sided but a few are reversible showing a figure on both faces.

Although the Maori have occupied New Zealand since about 1000 AD, the historical origins of tiki are not understood as they are virtually absent from the archaeological record. For a precious item, this is not surprising because few would have been lost or discarded. Conventionally though they are associated with the later part of New Zealand's prehistory, as nephrite is uncommon in early sites. They were certainly in use at the time of the first contact with Europeans. Some individual tiki have names and traditional histories extending well back into the past. Others have renewed suspension perforations replacing old ones that have worn through, showing they have seen much use over a long time.

Sites of manufacture of nephrite tools and ornaments have been found on the east coast of the South Island. However, the tools and ornaments were much used in the North Island where most of the population lived. Trade and exchange appears not to have been all in finished goods because there are regional styles of nephrite ornaments in the North Island which suggest that at least some of the manufacture was local, either from native stone or from green stone adze blades.

There is some variety in the forms of tiki but this variation has not been very fully studied in relation to region of origin. The head inclined left or right appears to have no particular significance. One clear variation is between tiki with the head upright and those with the head tilted sideways. The likely explanation for the latter form is that it comes naturally from the use of rectangular adze blades as raw material. Iron axe and adze blades rapidly replaced nephrite adzes in the early 19th century and coincided with an increasing market for commercial tiki. Other variations occur in the positions of the arms. In some the arms are asymmetric with one arm on the torso rather than the legs, or up to the mouth.

The eyes are often filled with red sealing wax of European origin. Wax was added to the eyes of older tiki, and some have paua (Haliotus, the abalone) shell eyes.

The arrival of 19th century technology allowed a major burst of commercial manufacture of tiki mainly for a New Zealand market. Many supposedly old tiki date from the late 19th century and reveal themselves through details such as the suspension perforation being straight sided. Some nephrite ornaments were gold mounted in the 19th century. Again this does not necessarily indicate the nephrite ornament was of that date.

Tiki remain prestige items in New Zealand today; heirlooms (toanga) in Maori families and European families as well. They are worn by Maori on ceremonial occasions. Most tiki are not ancient and some are 19th century commercial products but nonetheless highly valued treasures to their owners.

Materials used

Hei-tiki are usually made of pounamu (green stone) and worn around the neck. They are often incorrectly referred to as tiki, a term that actually refers to large human figures carved in wood, and, also, the small wooden carvings used to mark sacred places.

One theory of the origin of the hei-tiki suggests a connection with Tiki, the first man in Māori legend. According to Horatio Robley, there are two main ideas behind the symbolism of hei-tiki: they are either memorials to ancestors, or represent the goddess of childbirth, Hineteiwaiwa. The rationale behind the first idea is that they were often buried when their kaitiaki (guardian) died and would be later retrieved and placed somewhere special to be brought out in times of tangihanga. In terms of the idea of Hineteiwaiwa, hei-tiki were often given to women having trouble conceiving by her husband's family.

The most valuable hei-tiki are carved from green stone or pounamu. New Zealand green stone consists of either nephrite (a type of jade, in Māori: pounamu) or bowenite (Māori: tangiwai). Pounamu is esteemed highly by Māori for its beauty, toughness and great hardness; it is used not only for ornaments such as hei-tiki and ear pendants, but also for carving tools, adzes, and weapons. Named varieties include translucent green kahurangi, whitish inanga, semi-transparent kawakawa, and tangiwai or bowenite.

Types of Hei-tiki

Traditionally there were several types of hei-tiki which varied widely in form. Modern-day hei-tiki however, may be divided into two types. The first type is rather delicate. with a head/body ratio of approximately 30/70, with small details included, such as ears, elbows, and knees. The head is on a tilt, and one hand is placed on the thigh, and the other on the chest. The eyes are relatively small. The second type is in general heavier than the first. It has a 40/60 head/body ratio, both hands are on the thighs, and the eyes are proportionately larger.

Manufacture

From the size and style of traditional examples of hei-tiki it is likely that the stone was first cut in the form of a small adze. The tilted head of the pitau variety of hei-tiki derives from the properties of the stone - its hardness and great value make it important to minimise the amount of the stone that has to be removed. Creating a hei-tiki with traditional methods is a long, arduous process during which the stone is smoothed by abrasive rubbing; finally, using sticks and water, it is slowly shaped and the holes bored out. After laborious and lengthy polishing, the completed pendant is suspended by a plaited cord and secured by a loop and toggle.

Current popularity

Among the other tāonga (treasured possessions) used as items of personal adornment are bone carvings in the form of earrings or necklaces. For many Māori the wearing of such items relates to Māori cultural identity. They are also popular with young New Zealanders of all backgrounds for whom the pendants relate to a more generalized sense of New Zealand identity. Several artistic collectives have been established by Māori tribal groups. These collectives have begun creating and exporting jewelery (such as bone carved pendants based on traditional fishhooks hei matau and other green stone jewelery) and other artistic items (such as wood carvings and textiles). Several actors who have recently appeared in high-profile movies filmed in New Zealand have come back wearing such jewelery, including Viggo Mortensen of The Lord of the Rings fame, took to wearing a hei matau around his neck. These trends have contributed towards a worldwide interest in traditional Māori culture and arts.

Because the nature of our culture is graphical please visit our store for more details http://www.maoricertified.com

The New Zealand Maori Tiki Is A Testament To The Art And History Of Our Country The most honest three and a half minutes of television, EVER... Tube. Duration : 3.47 Mins.
Rating: 4.9014482


Beginning scene of the new HBO series The Newsroom explaining why America's Not the Greatest Country Any Longer... But It Can Be.

Keywords: America, politics, greatest nation

Monday, July 16, 2012

Renaissance and Medieval Weddings

Would you like a truly romantic wedding? Have you always been inspired and touched by the Renaissance and Medieval periods of history. Are you charmed by the tale of Robin Hood and Maid Marian. Have you ever wanted to be a royal. Plan a wedding for the Renaissance or Medieval period of history.

Here a few simple suggestions to help your wedding fantasy along the way.

Iron Man

Clothing:

Renaissance and Medieval Weddings

Brides during this era wore dark velvet dresses. They came in dark colors like deep purple or hunter green. Some of the dresses laced up the back or the sides. They flowed floor length with pleats and long sleeved. They were low cut but done in taste. Sometimes metallic ribbon ran through the dress design.

For today's bride who wants this type of wedding to stick to the above type dress for herself and bridesmaids. Hair should always be left down and flowing free. Instead of a veil use a crown wreath of ivy or flowers. You may even attach ribbons to hang down if you so desire. Costume stores have period clothing available and cost less than the traditional wedding dress in most cases.

Men should dress in tights, breeches, tunics, pirate shirts, laced vest and boots are a must.

You need not purchase these costumes either, check out your local costume rental store.

Location:

Medieval and Renaissance weddings were usually held in a church or outdoors. Look for a church or hall that has a Gothic or medieval look to it. Such as ones that are made of stone with lots of stained glass. Decorate the church with a banner, heavy wooden chairs for the guests, vine wreaths on the doors and votive candles set in gold or dark green holders.

If your opting for the outdoors decorate your space with lots of ivy, scrolls, family crest, banners hung down from wooden dowels and large baskets of flowers. You can add flowered garland on wooden or iron poles if they are present. Use big wood chunky candle holders. Check out your thrift stores. A lot of candle holders and garland can be found there.

You may also wish to hold your wedding at the Renaissance Fair. Nearly all states and counties hold one. Medieval dinner theaters are also a great place to get married and sometimes will have special packages for such a occasion.

Flowers:

This type of wedding has the unmistakable use of herbs. Rosemary, Thyme, Basil usually play a distinctive role in the flowers.
The use of herbs was to signify health and destiny.

Flowers just like the attire should be in rich deep colors such as red, orange, purple, brown, green.

Bridal bouquet should be large in size, overflowing and hand tied with a ribbon. Do not forget to add a small amount of wheat to the bouquet, it is a symbol of fertility. All flowers should appear natural. Remember there were no floral shops back then.

Invitations:

Should use calligraphy-style fonts with elaborate borders. Parchment paper should be used. Fold the invitations in thirds and seal with a wax seal. Enclose each invite in a parchment envelope.

Music:

Hire musicians that can play Renaissance or Medieval music. A Harpist can add a elegant touch. If you can not find musicians or do not wish the expense, Renaissance or Medieval music tapes or Cd's are fine.

Ceremony:

The music for ceremony should be done by pipe organ, flute, harp or lute. The ceremony should take place outside the church doors. Just like today the man stands on the right side and the bride on the left. The priest will begin by asking if anyone knows why this couple should not be married. He then will ask the couple if there is any reason why they should not be married.

The wording of the ceremony varies some. The priest asks the grooms name and says "wilt thou have this woman to be thy wedded wife, wilt thou love her, and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, keep thee only unto her, so long as ye both shall live?" The priest than asks the same of the woman. You both should answer by saying "I will". Then the woman is given away by her father.

The saying of the vows will be next. Both bride and groom say, "I (name), take thee (name) to be my wedded wife/husband, to have and to hold from this day forward, for better, for worse, for richer, for poorer, in sickness, and in health, till death do us part, if the holy church will ordain it: And thereto I plight thee my troth." The rings are given to the priest to be blessed and than exchanged.

Since the couple is outside to exchange vows they now enter the church for the blessing.

Cake:

Pancake-sized cakes are made for each guest. The guests stack these as high as possible in front of the bride and groom.
The couple than share a kiss over the stack.

Reception:

Find a caterer that can serve foods from that era. Roasted meats, cheese, vegetable filled pastry. Remember people ate with their hands back then, along with a spoon and a knife no bigger than a steak knife. Please remember to let your guest know that the wedding has a theme. Make sure invitations are mailed in plenty of time in case the guest wish to rent or make their own costumes.

Renaissance and Medieval Weddings DC SHOES: KEN BLOCK'S GYMKHANA FIVE: ULTIMATE URBAN PLAYGROUND; SAN FRANCISCO Tube. Duration : 9.87 Mins.
Rating: 4.907109


DC and Ken Block present Gymkhana FIVE: Ultimate Urban Playground; San Francisco. Shot on the actual streets of San Francisco, California, GYM5 features a focus on fast, raw and precise driving action. Filmed over four days, director Ben Conrad and his team are back to work on their second Gymkhana production and delivered the entire city of San Francisco as Ken Block's personal gymkhana playground. DC Shoes also provided fellow DC athlete and longtime Ken Block friend, Travis Pastrana, to make a cameo appearance on his dirtbike, and SF resident Jake Phelps of Thrasher Magazine fame also makes a cameo as Block hoons SF in his most incredible Gymkhana yet. For more information check us out at www.dcshoes.com

Keywords: Ken Block, Gymkhana, Gymkhana FIVE, GYM5, #GYM5, San Francisco, SF, urban playground, Travis Pastrana, whelie, DC Shoes, hoon, hooning, jump, drift jump, Potrero hill, Bullitt, Bay Bridge, barge, Twin Peaks, Financial district, Vermont street, Ford Fiesta, HFHV, Street drift, handbrake, Thrasher magazine, Josh Kalis, Styx, Come Sail Away, Trolly, 270, donut, anti lag, launch conrol, gopro

Saturday, July 14, 2012

Stay With It!

I walked out of his office inspired. All I could immediately recall were those soft-spoken words, "STAY WITH IT". They were from no less a person than Rev. Sam Adeyemi of Success Power fame, on whom I had gone to pay a courtesy call. The first time we met was two years earlier when he came to my campus to speak to students about success. Then I was an undergraduate with a fledging media outfit and, most naturally, the privilege fell on me to interview him for a story for my readers.

"How time flies", he began. "Only two years ago you were a student. Now you're out...on your own." Thus began an almost 20-minute motivational talk that climaxed in his use of those encouraging words, "STAY WITH IT." In his characteristic openness, he acknowledged how at the outset of his career he kept planting and uprooting his seedlings of efforts, all in a bid to find that "golden spot".

Iron Man

But alas, in retrospect, such wandering activity only served to take him further and further away from his desired goals of real success, until he decided to focus. And today the results of his progress couldn't be more obvious. But it all came when he decided to "stay with it".

Stay With It!

Ironically, those soft-spoken words have become marbled in my thoughts as they have continued to serve as a guide for me in my endeavours, especially against the background of that ever increasing tendency of vagrancy associated with one's youthfulness. It has been my observation that this tendency is so strong in men that it requires a committed sense of discipline to adequately checkmate.

Look around you and you will see what I mean. The average young man today thinks that if he could only get a visa to leave our shores to Britain or the US, or if he could go to South Africa, Dubai, or almost anywhere but where he happens to be, he could succeed. But isn't it amazing that all the time and energy invested in developing one's self to this point becomes suddenly lost and wasted as he will need to start afresh? Why can't we stay with it; right where we are with just what we have and give our efforts and resources the needed time to compound till we reach the threshold of victory?

Sydney Bremer Newton remarked that, "It is a sorry day for a young man who cannot see opportunities where he is, but thinks he can do better else where". We need to understand that our future is at home with us, near at hand. I have seen people start particular businesses only to switch the next year to what they were told was "the next big thing" and then to another, and another all within five years. The result: nothing to show for all those years but wasted resources and time.

Were these people poor in ideas or incapable of making a great success of their endeavours? Certainly not! They simply lacked that sense of discipline and concentration. That's why it's so important when you start out on your peculiar success path, which you believe so strongly in, to close your ears. Because no sooner than you have begun, they'll all come calling, telling you, "Hey, it's happening the other way, come along." And if you are not careful, you will leave the path you begun creating uncompleted, to join these beaten men in their beaten paths.

Don't be "here" today and be found "there" tomorrow for many a bright young man have developed such a roving disposition, such a habit of going about, that they have ruined their rooting ability. They cannot stay on one spot- planting a tree today, pulling it up tomorrow and setting it out somewhere else the next day. The consequences of this wandering attitude are serious and give cause for worry. According to Dr. Orsen Marden, "this roving habit is dead to concentration. It ruins the ability to focus upon one thing; it destroys the aim; it develops the habit of discontent. It ruins continuity of purpose, so that there is no thread running through the life. It is fragmentary instead of being one continuous fabric.

"No life can be very successful which does not have a strong, steady, persistent purpose running through it. There must be an aim, and all the power must be applied to this aim to carry it out - broadening, deepening, widening and enlarging the life along the line of purpose. Fragmentary, piecemeal work never amounts to much."

Only 2 years ago I was bombarded with numerous counsels to drop the publishing of my dream magazine, Achiever's Manual for an "apparently more lucrative" Science text/Journal for senior secondary schools. My advisers, speaking probably from experience and observation, provided ample evidence of a mass market just awaiting the sickle. Additionally, my BSc Degree in the field was available to add credibility to the whole project. Besides, I also needed the money. Who doesn't?
It was tempting though, but I remembered those words, "Stay with it." They came to my rescue and I knew I had no other decision to make save that of continuing; that of staying the present course. I told my well-intentioned advisors, "Sorry, I'm here to stay." In retrospect, I ask my self: What would have happened to the, then, over one year of efforts already sown and presently emerging as seedling if I had budged? It would have been all wasted. I feel better off today and it's getting better by the day. Now I see the horizon gradually emerging.

I tell you, when you come to a point of full persuasion about your dreams and pursuits, staying with it becomes fun and second nature. Your miracle is ever at hand. So beware of not just selling out too soon but selling out at all in the first place. If only Ali Hafed, the wealthy farmer in "Acres Of Diamonds" had known, he would not have left his farm and family to journey to distant lands in search of diamonds. The man who bought his farm, together with one of the wise men of the East discovered "acres of diamonds" in the same farm.

Had Ali Hafed been content to remain at home, had he dug in his garden instead of going abroad in search of wealth, and reaping poverty, hardships, starvation and death, he would have been one of the richest men in the world, for the entire farm abounded in the richest of gems. Simply put; Had Ali Hafed STAYED WITH IT, he would have hit it BIG and turned out the better for it. This is one great lesson I have learned on this success journey. I tell you friends, I aint going nowhere. I've taken Sam Adeyemi's words to "STAY WITH IT".

You should too. So find out what your "IT" is and then STAY WITH IT!

Stay With It! Timbaland - Hands In The Air ft. Ne-Yo Tube. Duration : 4.13 Mins.
Rating: 4.858863


Music video by Timbaland performing Hands In The Air. (C) 2012 Interscope Records

Tags: timbaland, step, up, hands, in, the, air, new, limbo, music, video, vid